"Here the musicians begin the work with toneless scraping that gradually coalesces into musical form. Troubled, searching conversations take shape among the four instruments. At times, they are jagged and confrontational, at others blossoming into the kind of unashamedly soaring, tonal melodies that would not be out of place in the Mozart or Mendelssohn quartets on the program. They conclude in euphonious concord. It was as if the very string-quartet structure that Gubaidulina had dismantled in her piece were being reconstituted here and given a sense of hope by Agócs.” THE WASHINGTON POST

“While there is a central theme and melodic idea that pushes the music forward, the accompanying styles and interpretations range from classical simplicity to dense and complex counterpoint to scratch tones and texture. Most of this melody is based upon a single note turn, and Agócs explores a dizzy array of emotions and compositional approaches to that singular idea.” - LUDWIG VAN TORONTO

"Kati Agócs’s music has been described as encouraging audience members to listen and be changed. In Tantric Variations, she bases her musical explorations on the word tantric, which means woven together. Using a one-bar motive as the basis, she weaves “a landscape that really goes everywhere you could imagine,” [cellist] Rachel Desoer said. Starting with a word referring to the practice of weaving, Agócs is able to both reference the traditional craft as well as evoke the universal idea of weaving strands together to create a unified whole." - THE WHOLENOTE